How Did Social Change Affect the Arts the Role of Women and Minorities?

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are you know a lot nigh the men who "defined" their mediums. Equally with other subjects, virtually of what nosotros learn well-nigh art history today yet centers on white men from Europe and, later, the United States. In reality, there are so many more than artists of all genders to acquire from and appreciate.

Here, we're specifically taking a await at just some of the women who accept had lasting impacts on their art forms. From some of the art world's virtually iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, still accept a paw — in changing the world of art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than thirty years. Later on studying the work of painters like Cézanne and Monet while away, she returned to the United states of america, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Film Stills (1977–lxxx). series. Photos Courtesy: Museum of Mod Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps nigh well known for her serial of Untitled Motion-picture show Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female motion picture characters, amid them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our private and collective identities.

Yoko Ono

A nevertheless from the operation Cut Piece, 1964, and a picture of the installation Half-A-Room, 1967, every bit seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might beginning retrieve of Yoko Ono as a musician and activist, but she'southward besides an accomplished operation and conceptual artist. Ono was considered a pioneer in the performance art movement, earning the nickname the "High Priestess of the Happening".

One of her nearly revered works, Cutting Slice, was a functioning she start staged in Japan; Ono saturday on phase in a nice adapt and placed scissors in front of her, and, in an deed of daring vulnerability, invited audience members to come on phase and cut away pieces of her wear. "Art is like breathing for me," Ono has said. "If I don't do it, I kickoff to asphyxiate."

Betye Saar

Betye Saar's Black Girl'due south Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied pattern and was employed as a social worker. A printmaking elective changed her unabridged career trajectory — and, in turn, function of the trajectory of art history.

Saar was part of the Black Arts Motility in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can go the viewer to expect at a work of art, then you might be able to requite them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilisation in 2007, which was held in United mexican states. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist motion.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she's as well known for her hyper-real sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian'due south National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oft doing everyday activities — something that became more than mutual in portraiture writ big in the mid-19th century. Odds are that you recognize Sherald'due south piece of work — and her signature grayscale skin tones — as she was the first Black adult female to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Blood-red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the female parent of American modernism, you probable associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the beginning woman painter to gain the respect of the New York art world, all past painting in her unique style.

Adrian Piper

Adrian Piper wins the Gilded King of beasts for best creative person in Okwui Enwezor's biennial exhibition All the Globe's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her piece of work to question society, identity, and racial politics by demanding the audition to confront truths about themselves. She often challenged people on the streets of New York to gauge her race, socio-economic class, and gender — all while dressed as a Black human with a faux mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to report art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the relationship betwixt Islam'due south cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works brandish phrases that human action every bit meditations on various concepts, such equally trauma, cognition, and promise. One of her more notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (Ago)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous N American culture. In 2005, she was the starting time Ethnic woman to stand for Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Conservative' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual fine art were the principal styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Exterior of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past popular culture and pop fine art, Mickalene Thomas oft embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was 1 of the major figures within the early Feminist Fine art motility. Every bit exemplified in her iconic piece of work The Dinner Party, her installation pieces oftentimes examine the role of women in history and culture — in the 1970s and before. While at California State Academy in Fresno, Chicago founded the outset feminist art plan in the U.s..

Augusta Savage

Augusta Savage with 1 of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Eatables

Augusta Brutal was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating breathtaking sculptures, oftentimes of Black folks, Savage founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years later on, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Merely look up her about famous piece of work, Interior Scroll, and you'll run across what nosotros mean.) She used her torso to examine women'due south sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal gild.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin'southward work challenges traditional ability relations. In addition to documenting New York City'due south queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) past Elaine Sturtevant. Photograph Courtesy: Ben Stanstall/AFP/Getty Images

Does this expect similar an Andy Warhol to you? Well, that'due south the thought! Elaine Sturtevant, who went by her final name professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-right copies of large-proper name artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilisation.

Ruth Asawa

Diverse hanging sculptures past Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's concluding public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during World State of war Ii.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of 9. She uses her photography to examine social norms, and, in doing and so, displays various subcultures in formal portraits — but in a way that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sunday) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Accolade from the Gender Justice League in 2016. She believes educational activity is the path to liberation and uses VR and fine art to address global bug such equally racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Colour exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Fine art Gallery

Lee Krasner was an Abstruse Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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